Inici
Notícies
Traducció
Projecte
Fòrum
Ajuda
Usuaris
Iniciar Sessió
Registrar-se
. .
•Perfil
veaysmer
•Totes les traduccions
▪▪Traduccions sol·licitades
•
Traduccions favorites
•Llista de projectes
•Bústia d'entrada
▪Intercanvi d'idiomes gratis
•English
•Türkçe
•Français
•Español
•Italiano
•Português brasileiro
•Deutsch
•Română
•عربي
•Русский
•Svenska
•Ελληνικά
•Български
•עברית
•Shqip
•Srpski
•Nederlands
•Dansk
•Português
•Polski
•汉语(简体)
•Lietuvių
•Norsk
•فارسی
•Suomi
•Hrvatski
•日本語
▪▪Català
•Esperanto
•한국어
•Українська
•Føroyskt
•नेपाली
•Kiswahili
Totes les traduccions
Buscar
Traduccions sol·licitades - veaysmer
Buscar
Idioma orígen
Idioma destí
Resultats 1 - 6 d'aproximadament 6
1
140
Idioma orígen
La petició d'aquesta traducció és "només el significat"
goya dönemin kasvetini, donuklugunu, infazın...
goya bu resimde, dönemin kasvetini, donuklugunu, infazın korkunçlugunu ve ölüm gibi kacınılmaz sonunu, mimiklerle, duruş ve renklerle bize hissettirmeyi basarmistir.
Traduccions finalitzades
Goya's painting
411
Idioma orígen
La petició d'aquesta traducció és "només el significat"
Examples of Goya's technique used to accomplish...
Examples of Goya's technique used to accomplish this effect are seen in his dynamic use chiaroscuro,* his particular composition of facial expressions and body posturing and raw, candid brush strokes. His combined techniques work in their entirety to amplify this painting's overall emotional appeal. This essay claims that Goya's technical treatment of The Third of May 1808 suitably commands attention and arouses the nationalistic sentiments of the painting’s Spanish audience.
Traduccions finalitzades
Goya
736
Idioma orígen
La petició d'aquesta traducció és "només el significat"
None of us can ever retrieve that innocence...
This is the case, today, with the very idea of content itself. Whatever it may have been in the past, the idea of content is today mainly a hindrance, a nuisance, a subtle or not so subtle philistinism.
Though the actual developments in many arts may seem to be leading us away from the idea that a work of art is primarily its content, the idea still exerts an extraordinary hegemony. I want to suggest that this is because the idea is now perpetuated in the guise of a certain way of encountering works of art thoroughly ingrained among most people who take any of the arts seriously. What the overemphasis on the idea of content entails is the perennial, never consummated project of interpretation. And, conversely, it is the habit of approaching works of art in order to interpret them that sustains the fancy that there really is such a thing as the content of a work of art.
Traduccions finalitzades
hiçbirimiz tekrar bu masumluğa ulaşamayız...
1